![]() ![]() Lyor Cohen became the label’s president on her first day, and she was like most young people working in the music industry at the time, wide-eyed and excited to just be in the building. In the summer of 1994, Simmons tapped Dixon to join Def Jam. Related Story How Diddy reinvented the remix Read now ![]() She wasn’t just listening to the music, she helped birth classics such as Deborah Cox’s “ Nobody’s Supposed To Be Here,” Aretha Franklin’s “ A Rose Is Still A Rose,” Brandy and Monica’s “ The Boy Is Mine,” Whitney Houston’s “ My Love Is Your Love,” and Santana’s “ Maria, Maria.” When you love something - truly love something - it’s almost impossible to completely let it go. Hearing D’Angelo’s Brown Sugar long before he was heralded as “ the next Marvin Gaye.” Dixon was part of the generation of hip-hop execs that helped take the genre to new heights. Her friendship with a young, relatively unknown Lauryn Hill. Dixon is animated when recounting her experiences in the 1990s: Marathon smoke sessions with The Notorious B.I.G. Despite being pushed out of the industry after she was assaulted, she still loves hip-hop music. Blige’s “ All I Need.”ĭixon, who served as director of A&R at Def Jam Records in the mid-1990s, recounted the abuse she allegedly experienced at the hands of Def Jam founder Russell Simmons in the documentary On the Record. The former music executive played a pivotal role in helping create one of rap’s greatest love songs, Method Man and Mary J. Hip Hop at 50 is our yearlong look at the people, sound, art, and impact of hip-hop culture on the world.ĭrew Dixon has never truly gotten her flowers. ![]()
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